Category Archives: music + movies

Roc Raida – RIP

Roc Raida (from the DJ crew X-Men) passed away this weekend after complications from a mixed martial accident in August.

Roc Raida helped bring physical showmanship to turntablism, cutting and fading like a Harlem Globetrotter, his body tricks are legendary: behind the back, around the bend and back again, with his tongue, nose and any other appendage that could move the crossfader. And it wasn’t just a gimmick, he could cut, scratch and beat jungle as well as any of the heavyweight turntablists and he could do it with his back to the tables with his arms wrapped around his body. Dude had serious physical presence.

Roc Raida was a true master.

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Delroy Wilson – In A Dancing Mood

Just the fact that this moment in Jamaican music was caught on film is an amazing thing, but listen to Delroy’s voice, his inflections, his breathing is even melodic and hypnotic. This guy’s voice is charismatic. And a song this prolific, cut in one take in Prince Jammy’s bare-wall shed. classic.

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Justin Hines & The Dominoes

file this under: shit I’m diggin’ not now but right now.

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Lauren Dukoff’s Family

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Lauren Dukoff is an LA-based photographer who specializes in intimate music/band photography. Dukoff stumbled in to a career in photography by taking pictures of her close highschool friend Devendra Barnhart and his growing family of like-minded musicians and artist folk. Chronicle Books has just put out her first photography book, it’s called aptly enough Family:

For many years, Lauren Dukoff has been photographing close friend and musician Devendra Banhart and an extended, loose-knit international family of artists who share inspiration variously from folk, Tropicalia, and each other, as well as a range of other musical influences. This lovely hardcover album collects Dukoff’s striking portraits and candid images of Banhart, Joanna Newsom, Bat for Lashes, Feathers, Espers, Vetiver, Bert Jansch, Vashti Bunyan, and many others individually and together, in performance and more private spaces. The 150 full-bleed, color and black and white photographs are complemented by a foreword by Banhart, text and artwork by the musicians, artist biographies, and a digital download featuring songs by some of the artists in the book.

Here’s a pretty good selection of photos from the book.

I’ve been following Laurens’s work for some time, ever since my homie Isaiah Seret turned me on to her work right around the time he hooked up with Devendra to direct his At The Hop video. Lauren came up, under the guidance of Autumn de Wilde, who is also one of my favorite photographers. I kinda feel like Lauren Dukoff is a homie of mine, even though we’ve never met. After following her work for the past few years it was awesome to here that Chronicle was putting her book out. It was like watching one of your friends come up and get noticed.

I’m the kinda person that never wins anything. I suspect that most people also feel this way. That’s why it was such a nice, pleasant surprise when I entered a small giveaway on the Chronicle Books blog. The blog post1 was about Dukoff’s book and the post author asked for five really good songs, I think. I submitted a comment with my then favorites and a few days later the author contacted me asking where to send my prize. I was stoked.

Family is a beautiful collection of Dukoff’s work. She only shoots film and it shows. Her style is natural, unforced and non-technical. The subjects of the photos are relaxed and seem like they are being photographed by a close, intimate friend. The book is beautifully designed, from the photo layouts to the gorgeous embossed type on the back cover.

So cool.

  1. I looked for it, Chronicle must have taken it down
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William Claxton

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Are these the dopest albums covers ever or what?

While digging for inspiration for a recent side project, I ran across these two record album covers. Both are Pacific Jazz covers art-directed by William Claxton a photographer who worked for Pacific Jazz in the 50s and 60s. Blue Note was killing it with their endless stream of amazing artwork documenting the sweaty soul and swagger of the New York City jazz scene, William Claxton and a handful of other photographers were crafting a beautiful counterpoint, documenting the unique attributes of California-based jazz. Claxton crafted the album covers of Chet Baker, Art Pepper, Bud Shank, Jack Sheldon, Shelly Manne, Sonny Rollins, etc… and as with Blue Note, his album covers became just as important as the music inside. Over his lifetime, Claxton shot thousands of photos of musicians, actors, models and celebrities. He’s had numerous books published and there is a ton of good info online about him. Claxton died last year at the age of 81.

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William Claxton w/ trusted Rolleiflex

More on Claxton:

This whole rabbit-hole started when I was leafing through the pages of California Cool, a book that documents the album cover art of west coast jazz in the 50s and 60s.

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After the Laughter (Comes Tears)

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Wendy Rene | illustration politely borrowed from OA

Wendy Rene – After the Laughter (Comes Tears)

I’ve had this song on repeat for the past day or so. constantly going back to it. moving on and then coming back. It’s been floating around my mind for years and a brief screening of The Wackness, prompted me to dig in the (pixel) crates for a copy of this beautiful, haunting, insanely wonderful song. Some true true soul.

While gooooogling for an image for this post I ran across an Oxford American Mag article that explains the historical context of the song and its resurgence (after being sampled by Rza). An amazing article and great read.

It would prove to be Rene’s greatest artistic success, but it had little commercial impact upon release. Rene released a few more singles, including the exuberant “Bar B-Q,” and sang and toured with Rufus Thomas and Otis Redding before fading from the public eye, retiring to motherhood and church-singing. “After Laughter” languished, more or less forgotten, for over a quarter-century.

“I love the fact that hip-hop has helped soul music to get back on the shelves or allowed a lot of people to rediscover these songs in their four-minute versions instead of our sampled hip-hop versions. Because those songs are great, man,” he says. “A song like ‘After Laughter’ probably spent two months in the stores when it came out, you know what I mean? To see that song as something people recognize now, that’s a beautiful thing.” – Rza

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Hammock Dreams

Free download Hammock Dreams. Dub mixtape by Micah Porter

Sometime, long ago, I was going to art school in LA. My family were living in Berkeley. On one late-spring weekend I was up visiting the fam. My sister Beth, her two close friends and I decided to drive out to Stinson Beach. We brought our suits and towels, to catch some rays. Beth brought along an old busted boombox. With the volume turned down super low, a sonic melange of sounds emitted from the speakers. Equal parts Dub Reggae, Abstract Jazz, early Blues tunes, 70s political poetry and children’s tales – seamlessly fading in and out of each other, glued together with environmental sounds: thunderstorms, humpback whales, rivers, oceans.

Hammock Dreams was the tape in that box, that day. It was like a slow burning fire, as we made copies for all our friends, and they made copies for theirs and on down the line. People who listened to it instantly wanted a copy and another was made. I immediately began buying dub records and digging for all kinds of weird stuff that people dumped off at the Goodwill. As my record collection grew I formulated my own sonic stew that took its queues from Hammock Dreams and went in whole new directions. Fittingly I called mine “Son of Hammock”.

As the tape player went the way of the do-do. I held on to the Hammock Dreams tape1 and surprisingly it has stayed with me through countless moves, junk consolidations, storage spaces and a move to Mexico. For years I’ve been meaning to digitize it and yesterday that’s exactly what I did – I borrowed my dad’s ancient tape player and hooked it up to my computer. Unfortunately, my copy is probably at least a 3rd to 4th generation dub and it’s spent years being tossed around in my collective piles of junk. The audio signal isn’t in top shape, so I ran it through GarageBand and added a few compression/limiter filters.

I casually mentioned to my sister, that I was digitizing Hammock Dreams. She was happily surprised that I still had a copy and mentioned a friend of ours who had just visited Vallarta. The subject of Hammock Dreams came up and our friend said she’d do anything for a copy. The thought dawned on me to put it up on the internet. Sharing is caring. And so, I scrubbed the audio, exported some mp3 tracks2, laced the meta data, created some quick album art and uploaded the zip file3 to Media Fire4. As long as you don’t crank it, it sounds beautiful. It’s the perfect headphone music for listening to while working. And I hope you enjoy it as much as we have. If you dig it, drop a note in the comments.

Free download Hammock Dreams.

  1. Son of Hammock got lost somewhere along the way. A dern shame.
  2. technically, m4a tracks
  3. two sides – two tracks
  4. freakin’ great way to share larger files – totally free and fast
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RIP – Alton Ellis

The Reggae world lost a true master on Friday. Alton Ellis, pioneer of the “Rocksteady” sound, was one of the oldest living reggae recording artists. Alton is survived by his twenty children. Reggae legend. I remember rocking out to Alton when I was a wee laddie dancing around the living room in my batman underoos. Alton is truly the boss and the king…

I posted two of my favorite Alton songs for your enjoyment:
[audio:http://www.qualitypeoples.com/wp-content/uploads/2008/10/13-cry-tough-take-six.mp3|titles=Cry Tough (take six)|artists=Alton Ellis]
Alton Ellis – Cry Tough (take six)

[audio:http://www.qualitypeoples.com/wp-content/uploads/2008/10/03-these-eyes.mp3|titles=These Eyes|artists=Alton Ellis]
Alton Ellis – These Eyes

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Muxtape / edfladung

muxtape / edfladung

my muxtape

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A Triumvirate of Circus/Freak Culture

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Marcia and I have been on a circus vibe lately, that’s kinda how our minds work. Get on a theme and learn/discover/investigate. A few weeks ago, we got into the circus thing starting with Water For Elephants by Sara Gruen which marks a perfect jumping off point for historically accurate circus mythology dripping with Great Depression era magic and tragedy. If this book were ever made in to a movie, I’m sure the Coen Brothers would be directing.

Next, at the urging of everyone in my family, we read Geek Love. This book has been floating around my parents’ extensive book collection since it was published in ‘89. Geek Love’s emergency orange cover is burned into my memory. Never knowing quite what it was about, I was delighted to find a heart-breaking story about a traveling family of circus freaks and their eventual demise. I’d love to see Geek Love as a movie, although to be honest I spent most of the book wanted to choke the shit of the narrator, an albino hunchback dwarf with an obsessive, psychotically misplaced loyalty. In short, I loved it. A quick check at Wikipedia tells me that Tim Burton, Terry Gilliam and Johnny Depp have all expressed interest in making Geek Love into a film. good crowd.

Making it a triumvirate of circus/freak culture, I introduced Marcia to Tod Browning’s Freaks. This movie is practically in my family canon, first showed to me when I was a kid by my uncle Tim, who managed to get a pirate copy on VHS. It was never officially released on VHS and didn’t make it to DVD until 2005 so for years Freaks enjoyed a cult-classic mythology surrounding it’s bombed release and subsequent burial by MGM. If you saw Freaks, you were privileged or at the very least, had a family member obsessed enough to seek out an elicit copy, long before the holy trinity of ebay, youtube and bit torrent. Unfortunately the versions floating around bt don’t have spanish subtitles and there are some spoken parts, not even I can understand. So my advice is get the DVD. It’s worth it. The signature line from the family of circus freaks shown in the film is “gooble gobble, one of us, one of us”, usually done in chanting style. This is sort of like an unconscious running line in our family that silently unifies us and always gets a smile from all, around the dinner table. I could be wrong, but I think that my entire family were circus freaks, in our last lives.

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End of an Era

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On our way through Los Angeles, I had to sort out a storage locker full of crap from my pre-mexico life. Including but not limited to years of collecting graphic design books, magazines, art, interior decorations, my entire artistic career – every last thing I ever drew/painted/designed/photographed and last but not least 1500+ records. 10+ years of daily crate digging. Countless trips to the Pasadena City College swap meet and many long nights after work, digging through dusty crates in run down record stores across L.A. Every genre you could possibly think of, equal parts early-mid 90’s hip-hop, early reggae/ska/dub and funk/jazz/soul records.

My vinyl weighed a ton and after years of figuring out how to get the bulk of it to mexico, I came to the conclusion that this dream would never pass. So with weary eyes pointed to the ground, I trucked my 15 boxes of records down to Amoeba Records and said my goodbyes. Back whence they came, to light up other people’s faces. Better then a most certain death, south of the border, to heat, humidity and no second-hand market.

The upside? Ya see, the rub is this: I didn’t own the records, they owned me. I was their guardian and once I found them a new, good home. I was free. I did end up saving about 150 of them. The really good ones. The ones that will never make it to CD or even MP3, ever. Plus the ones that are really good on record. One Technique 1200, a Griffin iMic 2 and WireTap Studio Pro and I’m all set up to listen to my surviving collection directly from my computer. Ahh, techmology.

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Gamelan

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Gamelan is technically a musical ensemble made up of metallophones, xylophones, drums, and gongs; bamboo flutes, bowed and plucked strings. But what it really sounds like is a highly orchestrated junkyard symphony of oddly melodic mix of banging and clanging. and I love it. It usually accompanies the Legong, Berong and Mahabarata dance performances. Back in the CalArts days, I’d sit in my design crit room, zoning out during a critique to the sounds of the clanging instruments floating in from the Gamelan classroom down the hall. I will always associate graphic design with Gamelan.

Here are a few of my favorite Gamelan tunes, right-click to save: one, two, three

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5 Second movie review

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Well, I was gonna say this entry til the middle of our trip to Bali, but I got to thinkin’ that it didn’t have too much to do with Bali (well, nothing to do with) and I was trying to keep a theme to the entries that are auto-posted during our trip. Plus, these movies are pretty old anyway, so it doesn’t make much sense to wait. So, I’m publishing this now, a shortnsweet list of the films I saw in the past week or so. Here goes…

  • Deathproof – why is the first half of the movie in this jacked up, grindhouse style and the second half not a dust scratch in sight? schizophrenic and lopsided.
  • Ratatouille – absolutely wonderful.
  • Ken Park – horrible video cinematography. wandering, boring plot. a must for anyone whose not exactly sure what male anatomy looks like.
  • Ocean’s 13 – I’ll never get tired of Soderberg’s formula for these movies, I hope he never stops making them. but Ellen Arkin’s cougar-under-love-potion-spell scenes? horrible.
  • The Heartbreak kid – dumb. some funny parts. but over all, dumb. Michelle Monaghan can do no wrong.
  • Curse of the Golden Flower – gorgeous cinematography, sets, costumes etc… meandering plot.
  • 3:10 to Yuma – bad guys as the new good guys? eh. over it.
  • Lions For Lambs – 10x better then the reviews said it’d be. I actually liked it. Tom Cruise is a scary mofo. Despite what ignorant sock puppets are saying, the politics in this movie are spot on. go see it.
  • Bonus: Bionic Woman (2007 tv show) – the producers wanted this show to look and feel like the new Battlestar Galactica series so much they even took two of its main actors. plots are formulaic and syrupy.

Unfortunately, here in mexico, we get crap movies in the theaters and even crappier movies on dvd. So in essence, this list is an approximation of the better movies that pass through our two horse town. We won’t be getting The Darjeeling Limited, There Will Be Blood, Control, No Country For Old Men anytime soon and we most certainly won’t get Juno.

I am the sound of Ed’s inner film buff, crying tears of shame.

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The Whitest Boy Alive, part 2


Live, super grainy, shaky, bad audio, unedited concert footage taken on a little Canon point-n-shoot, from The Whitest Boy Alive playing “Don’t Give Up” at F.Bolke (bar / art gallery / concert venue) in Guadalajara on Nov.10th, 2007. back story here.

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The WGA Strike

ron moore on the WGA strike picket line

Battlestar Galactica (2004) writer/producer/creator Ron Moore speaks out about the WGA strike and why you should care:

I had a situation last year on Battlestar Galactica where we were asked by Universal to do webisodes [Note: Moore is referring to The Resistance webisodes which ran before Season 3 premiered], which at that point were very new and ‘Oooh, webisodes! What does that mean?’ It was all very new stuff. And it was very eye opening, because the studio’s position was ‘Oh, we’re not going to pay anybody to do this. You have to do this, because you work on the show. And we’re not going to pay you to write it. We’re not going to pay the director, and we’re not going to pay the actors.’ At which point we said ‘No thanks, we won’t do it.

We got in this long, protracted thing and eventually they agreed to pay everybody involved. But then, as we got deeper into it, they said ‘But we’re not going to put any credits on it. You’re not going to be credited for this work. And we can use it later, in any fashion that we want.’ At which point I said ‘Well, then we’re done and I’m not going to deliver the webisodes to you.’ And they came and they took them out of the editing room anyway — which they have every right to do. They own the material — But it was that experience that really showed me that that’s what this is all about. If there’s not an agreement with the studios about the internet, that specifically says ‘This is covered material, you have to pay us a formula – whatever that formula turns out to be – for use of the material and how it’s all done,’ the studios will simply rape and pillage.

pretty f*cking good argument. Let’s hope the studios take their collective heads out of their asses and give the writers a decent shake. On a darker note, if the strike keeps up Battlestar Galactica and Lost won’t have new episodes in the spring.

Oooooh fuuuudge. (but it wasn’t ‘fudge’ it was the mother of all curse words…)

[via crooksnliars via FireDogLake]

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