Tag Archives: my photos

January Swells

photo by Ed Fladung

My buddy Tom is making a mexicocentric gnar gnar surf film called Dias Tranquilos. He’s got some insane footage in the can and over the past few swells we’ve been shooting at the same spots and sharing boats. He just put together a teaser reel from some of the amazing swell that rolled through our parts last month. Some of the footage was taken during the same session as the photo above, check it out.

Incidentally, on the afternoon the above photo was taken, Tom was shooting from the middle of the boat and I from the front. After a particularly large outside set, the boat barely made it over and landed a bit on it’s starboard side, me in the air. I landed in between the front of the boat and the first row of seats, on top of Chicharro’s board bag. A soft landing followed by the unmistakable sound of a stringer cracking in half. Big oops.

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Drift: Mandala Interview




Lines Converge: Manuel C. Caro’s Prismatic Path

Interview: Andrew Smith
M.Caro Portrait: Jay Watson
Shaping Bay photos and Art Direction: Ed Fladung
Hand drawn type: Beth Fladung

Drift has a new feature up, Andrew Smith interviews Manuel Caro of Mandala Custom Shapes and it’s a barn burner. Amazing read. Mani Caro simply and beautifully illustrates how the dharmic knowledge of handmade surfboards is silently transferred from older generations to new generations of shapers, ensuring that surfing retains its soul and karmic traditions. If you have any interest in surf culture beyond potato chips and competition results, click on over and read Mani’s piece.

When I was up in North County SD over the holidays, Rob70 and I paid a visit to Moonlight where Mani has his shaping room. I was fortunate enough to be able to slip in for a few minutes to take some photos. Unfortunately, Mani was home sick with a cold that day (I think). I was instantly drawn to Mani’s tools, shaping room detritus and wall decorations but the thing that struck me most about the shaping room was his profound collection of hand-foiled fins and template curves. A geometric collected history of surfboard shaping. I felt kinda guilty oogling his curve collection with my camera, like staring at someone else’s girl. But I knew I’d kick myself twenty years from now if I didn’t take the time to at least briefly document what I saw.

Like most Drift features, this article formed like Voltron: Andrew Smith put together the transcendent interview with Mani, Jay Watson took Mani’s portrait, my sister Beth hooked up the hand drawn type, I added my shaping bay photos and hooked the photo editing and art direction and of course the folks at Drift provided the stoke.

Go check it out.

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Recent swells







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Geometrik

Some new stuff I’ve been working on.






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Chinese Wax Job II

Chinese Wax Job II
art by Ed Fladung

John Esguerra’s epic, surf, art and surf-art zine Chinese Wax Job II is out at your favorite zine counter. You can order it online from Teeluxe.

CWJ2 features the art works of Patrick Griffin, Julia Chiang, Marcus Oakley, Jeff Canham, Jaakko Pallasvuo, Jay Guillmero, Stine Belden Roed, Ryan Tatar, Ty Williams, Dominick Volini, Tofer Chin, Daniel Piwowarczyk, Steve Green, Ed Fladung, Scott Massey, Paul Gallegos, Pat Conlon, Manny Pangilinan, Brock Potucek, Betsy Walton.

You can see a grip of my photos in the spread above. I’m stoked!

I really like the fine arty spreads and dig the vibe. i love the balance of different styles of art tipping towards abstraction – inspires me to get off this computer and create some paintbrush-to-paper art. I know he puts the zine out and all, but check out John Esguerra’s spread below. Totally sick! If that doesn’t inspire you, it’s been too long since you’ve been for a surf.

here are a few more wicked spreads:

art by John Esguerra
art by Scott Massey
art by Marcus Oakley

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Liquid Salt vs QPeeps

liquidsaltinterview

Liquid Salt is a new online magazine of sorts, created by Glenn Sakamoto. The concept is simple: contact various artists, surfers, shapers, photographers, and film­makers from all over the surf-stratosphere, give them compelling and inspirational questions, and let them have at it. The results are amazing. Sakamoto has, in a very short time, collected interviews from a stable of surfing’s most influential people by the likes of Paul Strauch, Gerry Lopez, David Nuuhiwa, Buttons Kaluhiokalani, Doc Paskowitz, Rabbit Kekai, Joe Curren, Rochelle Ballard, Bing Copeland, Jeff Divine, Matt Warshaw, Drew Kampion, Jason Baffa, Chris Burkard & Eric Sondequist, Chris Orwig, Mike Salisbury, Jamie Budge, Jaimal Yogis, John Smart, John Van Hamersveld, Thalia Surfshop, Juile Cox, Almond Surfboards, Jon Wegener, Surf Indian Gallery and more. The list is dumb impressive.

Though I harbor no false assumptions of being any kind of surf tastemaker, I am happy to have been interviewed on Liquid Salt recently, holdin’ it down for my little corner of Mexico. So go peep it, yall.

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Redux Selections

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some recent and not so recent photos redone for a black and white printed format

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more storm swell photos

tzahui
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Tzahui in the white
Tzahui

A few more photos from one of the recent Roctober storm swells.

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Tzahui drop

tzahui drop

a shot from that Hurricane Patricia swell two weekends ago. Tzahui Poo charging it.

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Left Point Break




George

Some photos from the third day of that epic July swell. taken at my favorite left point break which was behaving nicely, lobbing thick and juicy head plussers. I kinda misjudged it though and brought the shorty. not enough foam for the thickness of the wave. spent most of my time mush hopping until George let me borrow the bat tail quad which has a bit more foam in the center with a wider tail and more push.

14 photos up on flickr: photoset | slideshow

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Nice Personal Expression

sucha
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Sucha at sunset.

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Pleasantly Unexpected

untitledphoto from a previous session
After a double showing of The Present and Picaresque last night, I woke up for a dawn late morning patrol with the homies and brought the singlefin egg after reports of good waves last night. A quick check of the gnar gnar beach break yielded flatness, so we trudged on to the headquarters. I was thinking the egg would be too short for small rollers.

Wow, what a surprise. A nice mellow, consistent swell pushed head high waves at us all morning. The singlefin lit up like a motherless child, the unintentionally perfect pick for today’s waves. Sliding sideways, lip hips, nice big carves, rail grabs, crouched head dips and plenty of footwork. More daily donkey than Harrison Roach, but at least it feeeeled good.

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Burrito Sunset Log Session

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Drizzly logging session last night at the headquarters with the crew, a nice sunset and some clean small rollers. Seriously inspirational session after far too long with the stoke tank on empty. A welcomed change from my last sesshin a few days ago at the shortboard spot at low tide, when I dropped into some waist high slop, slipped off the board and landed on my back on almost dry reef (a pound of flesh left on the reef but nothing serious).

The camera? Canon G9 with underwater housing (almost took my front teeth out last night paddling into a wave).

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Something’s Brewing

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Something is brewing in the lab of Sir Rick Malwitz of The People’s Republic of Brooklyn.

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An Interview with Marco Ortiz

atl-6photos by Ed Fladung

DRIFT | Interview with shaper Marco Ortiz of ATL Surfboards

I have a new post up at Drift Surfing Mag. A while back I got into the shaping room with my good friend Marco to take a first lesson on shaping, snap some photos and get down to brass tacks with this up-and-coming surfboard maker. Marco is fast becoming one of a few choice, quality shapers in Mexico:

Marco Ortiz is a surfer and shaper who lives in Guadalajara, Mexico. He shapes under the name ATL Surfboards and also does contract work for the Mexican surf brand Squalo, shaping performance boards for their team riders.

ATL is swiftly moving into the premier spot for quality shortboards in Mexico, rivaling the quality and attention to detail of shapers in the United States. Ortiz’s working philosophy is simple: iteration, iteration, iteration with side orders of exploration and rider testing/feedback. Every board that comes through the ATL shaping bay is directly traced to a lineage that started out in a rinky dink garage with Marco and friends making their own polyurethane blanks. ATL is a true DIY operation. Through hard work, research and days, months and years spent at the helm of the Skil 100 saw and resin bucket, Ortiz’s shapes are really starting to sing and the locals with ‘Al Merick eyes’ are all starting to turn their heads.

Incidentally, I have asthma and for the first part of the shoot I didn’t have a mask. It took me three days to recover from inhaling foam dust, but I’m really looking forward to getting back into the shaping room again.

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