Tag Archives: surf history

Bookmarks for July 15th

  • Legendary Surfers: Mike Hynson
    an exhaustively awesome article about The Endless Summer's co-star Mike Hynson. great read.
  • scout & catalogue
    Bre was a creative director at a fashion retailer. when the market crashed in October or so, Bre and her man (originally from Vallarta) decided to move to Mexico, something similar to what I did. She just set up a blog, but it's got all the markings of an intimate, well-designed portrait of her experience in a new culture, in a strange land. go check it out.
  • 2 or 3 things I know
    a curated blog of beautiful things. lots of nice arty things. precious things.
  • The blue and the green | Bad Astronomy | Discover Magazine
    wicked optical illusion: "You see embedded spirals, right, of green, pinkish-orange, and blue? Incredibly, the green and the blue spirals are the same color." – I still don't believe it.
  • Rodrigo Fuenzalida : Graphic Design & Typography
    a couple of free, nicely designed fonts from a Venezuelan graphic designer. nice stuff!
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This Isn’t What You Think It Is

TJS | POV – Richard Kenvin from The Surfer's Journal by Tyler Manson.

Wow. Tyler Manson directs a short piece for The Surfer’s Journal on Richard Kenvin, the director of Hydrodynamica. Kenvin gives us a brief glimpse at an alternate version of surfing’s history, one where the major influences are science, craft and art. And surfers aren’t viewed as male bimbos who don’t like having a day job. Bob Simmons is the missing key and Kenvin’s theory is that the death of Simmons in 1954 obscured just how influential he was to modern surfing, skateboarding and snowboarding both from his technological innovations that pushed surfing forward (planing hulls, finless, two fins, etc..) and a cultural outlook as well, one that had very little to do with D-fin longboard surf culture in Hawaii that was propelled worldwide by Hollywood’s obsession with the perceived surfing lifestyle.

Can’t wait to see Hydrodynamica. and The Surfer’s Journal is killing it with nicely produced video content!

[via The Alley Fish Fry]

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Wide Hips

donald's hips
photo: Grannis (Dr. Takayama on the left)

Check out the hips on Donald’s board. all three boards have some pretty wide hips. And that wood is gorgeous. me wants.

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Meyerhoffer Surfboards

meyerhoffer_med
photo by Nick Allen

The Surfer’s Journal did an article on Thomas Meyerhoffer back in ‘07. I was a non-subscribing kook back then, but who can blame me. I live on the edge of nowhere. I was checking out Rider Shack today when I came across his new surfboards. The board’s form interested me, but it’s lack of conventionality made it appear somewhat whimsical. And then I read the board description and immediately went to Sway Locks to check out what the shapers are saying. That lead me to the video below, which has Meyerhoffer describing the board and his design process. Very interesting.

I’d love to see one of these in person and here’s video of the board in action (turn down the volume). I can appreciate his modern approach to solving old problems, but I still can’t quite wrap my mind around just how different this thing looks. It definitely adds a performance edge to the traditional longboard, but in a way, one of the endearing traits of the longboard is its direct, dialed-in connection to mid-century modernism. The longboard outline has essentially stayed the same since the 50s. It’s gotten a fair share of nips and tucks, but never a wholesale reinvention. I could be wrong. And for my money, I think the boards look waaaay better with the resin tints and cigar bands. The radical departure of the form, mixed with the old familiarity of retro tints helps pull the board back into a familiar context, kinda makes me wanna lick them. And that’s a good thing.

Meyerhoffer | Meyerhoffer Surfboards | The Surfer’s Journal article (PDF)

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No. 0043

NO. 0043

A classy gift from the classiest brawd i know (besides my momma). The number 43 is also very auspicious, considered by some to be a magical number, whose repetition in the natural world confounds mathematicians and scientists. The book objet d’art was found in our podunk little town’s surf shop. Handled by many a surf transient but who’s pages never found purchase – until now.

Thank you, babe. and happy hollow dayz to all.

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Balsa, Fiberglass and Redwood

Hobie Alter at MOMA
Hobie Alter at MOMA

Hobie Alter’s classic log in the permanent collection at The Museum of Modern Art. If you ever go to Moma and this board is suddenly missing, it wasn’t me. You don’t know my ninja skillz.

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Joe Doggett and the Mexican Malibu

Doggett Travel ModelDoggetlocal legwork

A few weeks back, I was out scavenging the northern Bahia de Banderas coast for anything that looked like ridable waves. My tour of the local breaks brought me to Punta Mita, where I caught a few good ankle biters and then managed to snap off a few good shots.

As I was shooting the bevy of longboarders from the tip of a breakwater jetty, I caught the attention of a group of visiting “old dude” surfers throwing shakas my way (through my 100-400mm lens) as they were hanging out in the shade, on the beach. As I finished up and made my way over to the group, I was greeted by a guy by the name of Joe Doggett. It turns out Joe and his buddies return year after year, to Punta Mita, the ‘Mexican Malibu’ as he called it. We exchanged local surf break information and traded horror stories of how the area is rapidly changing due to spiralling out-of-control development. Joe mentioned that he had been a writer for the Houston Chronicle.

We eventually came around to the history of surfing in the area and how Punta Mita was discovered. Joe related parts of a September 1965 Surfer Magazine article, written by Bill Cleary, about his feral surf expedition on the hunt for “Mexico’s Malibu” as discovered by a screenwriter named Peter Viertel who found the fabled break while daytripping through the bay’s several breaks while his wife, actress Deborah Kerr, filmed her scenes in Night of the Iguana (the movie that literally put Vallarta on the map).

Joe Doggett’s stories and impressive knowledge of surf history, had me kicking my own teeth in, after I said goodbye to Joe and the crew without asking for his contact info or email address. A few days after I posted the photos from that day, flickr user Rex Enigma commented on Joe’s photo above, asking if it was indeed thee “Joe Doggett” and today Rex hipped me to a recent article in The Houston Chronicle, where Joe goes briefly in to Cleary’s 1965 Surfer Mag article and than continues on with his own long and varied history of visiting Mazatlan and Vallarta in search of surf breaks and the “Mexican Malibu”:

‘Mexican Malibu’ offers surfers a secret paradise – By Joe Doggett for The Houston Chronicle

Other spots were excellent, but the Mexican Malibu was a no-show not enough swell, wrong angle, wrong tide, wrong week, wrong season, on and on over dispirited bottles of Pacifico beer at the cantina overlooking the beach.

Nirvana, at last

Then, as if in a dream, it was there. Last year, we pulled the board-racked vehicle to a stop and watched in disbelief as ruler-edged powder-green walls brushed by straight offshore wind peeled into the cove. We caught the Mexican Malibu for six consecutive days, with the swell peaking at 2 to 3 feet overhead. This spring, our trip was highlighted by three days of Mexican Malibu, with shoulder- to head-high sets each session. This literal groundswell of riches only can support the virtues of patience and confidence.

It’s an amazing story and a great read. I flipped out, as I read it and thought back to my conversation with Joe. Understanding the history behind this place I live in and how it fits in to the larger surf cannon never really even occurred to me, until my talk with Joe and his boys. I’d like to send a big, cosmic, shaka bra thank you, out there to Joe for unfolding a lesson and sparking a light in a new corner of my consciousness. I’m in his debt.

Incidentally, if there are any surf-memorabilia pack rats out there, that might just have the Sept ‘65 Surfer Mag squirreled away somewhere, I’d give my first born for a scanned pdf of the Cleary ‘Mexican Malibu’ article. My first born or some newly minted gold bullion. your choice.

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The Art Works of Tom Adler

tom adler

James Danzinger (of the Danzinger Gallery in NYC) has a blog and it’s wickedly good: The Year in Pictures. In a recent post, Danzinger gives a run-down on some of Tom Adler’s surf-culture related work from books on surfing’s golden years by photographers Ron Church and Don James to Swell’s impressive branding and identity. If there were ever an art-director who I’d love to work under, it’d be Tom Adler. His work is inspirational. A friend of mine gifted me Adler’s Ron Church: Surf Contest book and it’s an absolutely amazing time capsule of surf-culture history.

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